Persona (1966) 1080p YIFY Movie

Persona (1966) 1080p

Persona is a movie starring Bibi Andersson, Liv Ullmann, and Margaretha Krook. A nurse is put in charge of a mute actress and finds that their personae are melding together.

IMDB: 8.14 Likes

  • Genre: Drama | Thriller
  • Quality: 1080p
  • Size: 1.32G
  • Resolution: 1920*1080 / 23.976 fpsfps
  • Language: English
  • Run Time: 85
  • IMDB Rating: 8.1/10 
  • MPR: Normal
  • Peers/Seeds: 7 / 25

The Synopsis for Persona (1966) 1080p

A young nurse, Alma, is put in charge of Elisabeth Vogler: an actress who is seemingly healthy in all respects, but will not talk. As they spend time together, Alma speaks to Elisabeth constantly, never receiving any answer. Alma eventually confesses her secrets to a seemingly sympathetic Elisabeth and finds that her own personality is being submerged into Elisabeth's persona.

The Director and Players for Persona (1966) 1080p

[Director]Ingmar Bergman
[Role:]Margaretha Krook
[Role:]Gunnar Bj?rnstrand
[Role:]Liv Ullmann
[Role:]Bibi Andersson

The Reviews for Persona (1966) 1080p

I am Bergman! Hear me bore!Reviewed bysc8031Vote: 5/10

I was hesitant to write anything about this film at first because I wasn't sure if my negative reaction was from moodiness or the result of disappointed expectations. I haven't seen too many Bergman films, but most of the ones I've seen present interesting ideas, but as though they were the most earth-shattering profound concepts ever conceived. It can be a bit much.

Okay, so here we have a movie that deals with similar themes as his later, better film, "Hour of the Wolf". Liv Ullman plays a popular actress who goes mute in the middle of a stage performance. A nurse, played by Bibi Andersson, is assigned to care for her. Eventually the two take a vacation to a cottage out on the beach (a typical Swedish method of recovery?) where a series of interactions begins to take their toll on their personalities. Here the film seems to investigate the line that is blurred between people's identities who are in close proximity over long periods of time.

It seems the characters are established exclusively in order to explore Bergman's philosophical meanderings and musings, which involve the significance of the interior and exterior views of the self. Elizabeth (Ullman) seems to be someone who recognizes her lack of a strong internal identity. Alma (Andersson) is the opposite and manifests a strong internal sense of self but a weak external influence. Maybe Bergman is also saying something about the role of the artist -- that their persona is stolen by so much giving, so much internal conjuration and performance. That over time, society consumes the artist's inner world by making their gifts into novelties and taking the inner spirit for granted.

But I don't really know and that's the problem. Many people say this movie is open to interpretation and that's what makes it so deep. But I think such an explanation only proves that this film is too broad or vague and relies too much on hind-sight and art-house praise. On some level it becomes too self-indulgent to really be enjoyable. I really suspect that many individuals like this movie because they view it with the same self-impressed state of mind as Bergman did when he made it.

I can certainly credit Bergman with having a knack for writing decent dialog and for being inspired in his film-making. He really is empowered to make films. But he also seems obsessed with his own perceptions, making complicated and fractured works about feelings and ideas that could be presented more concretely. But then again, many people like him for that, or his aesthetic, or a variety of other reasons that I haven't mentioned here. I enjoy some of his works, but this one didn't interest me too much.

Oh My! This is crapReviewed byWakenPayneVote: 3/10

Just hear me out. On a Bergman high with The Seventh Seal I went on a rampage to see the first Bergman film I could find - guess I have to look at what the film is about before I start searching.

The movie starts with flashy images, I don't mind art-house movies but I prefer them when they have focus more on what it's trying to say through plot (which this doesn't). I was like "well that was pointless - hopefully it gets better", No it doesn't. The movie continues with a nurse helping an actress regain her speech. They end up being alone together on a beach house. It's just one person talking, and talking, and talking, and talking... Just when Bergman almost pushed me over the edge midway - HE DID. By having those same flashy images there.

If you want to sit through one woman talking with flashy images then I suggest this to you. I have seen Bergman do SO MUCH BETTER THAN THIS. Watch a movie like The Seventh Seal instead, at least that had a running storyline that was easy to comprehend and wasn't just there to add depth to nothing.

An erect penis and a calf slaughter in the first 2 minsReviewed byrooprectVote: 1/10

I'm not writing a critical review. I'm not telling you whether this movie is good or bad. I'm just warning you gentler folks out there that this may be too offensive to watch.

In the first 2 minutes we see an erect penis and a gory calf slaughter and disembowelment. (By the way, it's not just "stock footage". It's Bergman's trademark camera technique which prompts me to believe that Bergman ordered the slaughter whilst he filmed it. Classy.) That's all I have to say, but just for the sake of meeting the IMDb 10-line minimum, I'll inject one opinion. And it's just an OPINION, gang, so calm down. I believe it is easy--if not amateur & pedantic--to shock an audience with animal slaughters and genitalia. Any pervert with a camera can do that. But what I consider true art is the subtlety of presentation. Movies like Kurosawa's "Ikiru", Chukhrai's "Ballad of a Soldier" or even Bergman's own "Seventh Seal" are fine examples of poetic subtlety which carry powerful (ofttimes shocking) themes, and they don't resort to schlocky in-yer-face tricks like this or the trash that Godard was vomiting forth in the name of "art". In 1966, Godard and his French New Wavers were in full force, and I believe Bergman was unduly influenced by this sort of tripe. Persona is the low point of his career. Avoid it, lest you lose all respect for the man as I did.

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