The Hunger (1983) 1080p YIFY Movie

The Hunger (1983) 1080P

The Egyptian vampire lady Miriam subsists upon the blood of her lovers. In return the guys or girls don't age...

IMDB: 6.618 Likes

  • Genre: Fantasy | Horror
  • Quality: 1080p
  • Size: 1.44G
  • Resolution: 1920*808 / 23.976fps
  • Language: English
  • Run Time: 97
  • IMDB Rating: 6.6/10 
  • MPR: R
  • Peers/Seeds: 1 / 13

The Synopsis for The Hunger (1983) 1080p

The Egyptian vampire lady Miriam subsists upon the blood of her lovers. In return the guys or girls don't age... until Miriam has enough of them. Unfortunately that's currently the case with John, so his life expectancy is below 24 hours. Desperately he seeks help from the famous Dr. Sarah Roberts. She doesn't really belive his story, but becomes curious and contacts Miriam ... and gets caught in her ban, too.


The Director and Players for The Hunger (1983) 1080p

[Director]Tony Scott
[Role:Miriam Blaylock]Catherine Deneuve
[Role:Tom Haver]Cliff De Young
[Role:Sarah Roberts]Susan Sarandon
[Role:John Blaylock]David Bowie


The Reviews for The Hunger (1983) 1080p


Stylish Vampire Movie- Love Is Eternal While It LastsReviewed byClaudio CarvalhoVote: 9/10

In New York City, the lovers Miriam Blaylock (Catherine Deneuve) and John (David Bowie) are vampires that survive through time under the Egyptian symbol of Ankh. When John starts an accelerated aging process, he seeks the specialist Dr. Sarah Roberts (Susan Sarandon). However, he does not survive, and Miriam selects Sarah to be her next lover. "The Hunger" is one of the best vampire movies ever made. I recall when I saw this movie for the first time, in an art cinema in Rio de Janeiro, and later at least three times on VHS. Now on DVD, this stylish film improves with the fantastic melancholic and artistic atmosphere, with a magnificent music score and wonderful cinematography. This movie is totally underrated in IMDb since it is one of the most beautiful vampire movies ever made, actually a masterpiece of the genre. Catherine Deneuve, David Bowie and Susan Sarandon have overwhelming performances in this unforgettable movie. The remarkable scene of the lesbian love of Miriam and Sarah is among the most erotic in the cinema history, never being vulgar. My vote is nine. Title (Brazil): "Fome de Viver" ("Hunger for Living")

Sexy vampire noir has boredom written for those of a different tasteReviewed bynarnerbee ([email protected])Vote: 5/10

THE HUNGER, unquestionably one of the most impressive stylized filmmaking of its kind. Using such techniques as classical music, and visual storytelling, not to mention the usage of sound as well, this sexy tale of blood, lust, and demonic dealings takes vampires to the next level. Susan Sarandon is struggling medical woman, trying to discover the secrets of natural aging. Bowie and Deneuve are well out as eternal bloodsuckers meeting a tragic end, as Bowie finds himself rotting away, slowly. Once Bowie is out of the picture, Deneuve has her sights on Sarandon(unique love scene between the two). While never failing to deliver well plotted story, this one grows boring at times, to those uneasily interested. Many incidents, which prove affective to some,are often slow and dull to others, perhaps aquired taste best describes the tone for most viewers. Playing more like a tragic drama, the creators catch most attention with an opening to hard to resist. Even the most uninterested cannot turn from the "Bela Lugosi Is Dead" act, as well as Shuberts "Trio In E Flat" oversounding the sad moments bringing the film to an automatic saddness, which never really goes away. Still, always impressive in many other ways, this film might enlighten others who need soap opera-esque escape matters. THE HUNGER may not grace some people, but others will find this one to be very thrilling in different ways. Always give the film a chance before judging too harshly, and THE HUNGER has its own way of getting attention, it got mine.

Gother Than ThouReviewed byGafkeVote: 5/10

"The Hunger" opens with the by now familiar Goth anthem "Bela Lugosi's Dead" by Bauhaus. Not a bad way to open a vampire film, though nowadays it would seem almost a parody. "Undead undead undead" indeed. Enter Cathy and Bowie into a slick, sleek, neon nightclub, filled to the rafters with post-punks & pre-Goths playing dead. Too bad they weren't as ready for the real thing as they thought they were. You see, Cathy and Bowie are vampires. This is a visually stunning film, making up for in effects what it sometimes lacks in coherence. It seems that lovely, immortal Cathy, called Miriam, is a vampire queen who has been around since the Sphinx was built, apparently. Bowie is her consort, a once mortal man whose two hundred-odd year lifespan is suddenly winding down at a frighteningly rapid rate. Desperate to find a cure, he seeks out scientist Susan Sarandon, who at first disbelieves Bowie's claims, but is soon convinced when the young and handsomely androgynous man suddenly ages over the course of a few hours time into a decrepit ruin. Miriam, who has had countless lovers over the centuries, gives Bowie the heave-ho and turns her attention to lovely young Sarandon. But Sarandon, though initially easy to seduce (in an erotic lesbian scene) proves to have a will stronger than Miriam's, and Miriam's habit of keeping her collection of ex-lovers cadavers close at hand, proves to be a mistake. This is a strange film, almost as cold and dispassionate as one might well imagine a vampire to be. It seems to hold the viewer at arms length, not allowing them to experience the emotions of the characters...but the characters, for the most part, are severely lacking in emotion anyway, so the stark emptiness of the film becomes a brilliant mirror. Some vampire enthusiasts might find this boring and confusing, but it's a good effort and not a total loss. The three main characters are worth watching simply for their amazing beauty and grace. Tony Scott (brother of Ridley) has made a nice, if somewhat bizarre and chilling, work of art here and, like most works of art, it's up for interpretation.

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